Angelina Jolie directs the adaptation of Loung Ung’s memoir “First They Killed My Father: A Daughter of Cambodia Remembers” and the results are a film that is experienced rather than enjoyed.
I can’t think of a contemporary director who brings the “WTF?!?!” better than Darren Aronofsky, and he proves as much with his latest: the maternal insanity that is mother!
Director Robin Campillo affectionately explores the early years of the AIDS crisis through the lens of the Paris outfit of AIDS activist group, ACT UP.
While there is stuff to admire in Valley of Shadows, this Norwegian import really wasn’t my cup of tea. This is one of those movies that is long on atmosphere, but short on action or dialogue. A very European movie in style and nature, Valley of Shadows will only appeal to filmgoers who are into minimalist exercises in style.
Louis C.K. produces and films a movie under the cloak of secrecy from Hollywood and it proves to be a big, fun, surprisingly poignant treatise on the modern relationship between parent and child.
Craig Gillespie’s I, Tonya takes a ripped-from-the-headlines true story and infuses it with unexpected empathy. Invaluable assistance is provided from star Margot Robbie, whose performance here is even more star making than her showy breakout turn in Wolf of Wall Street. Her work, as well as that of co-stars Sebastian Stan and Allison Janney (not to mention director Gillespie and cinematographer Nicolas Karakatsanis) should garner plenty of attention come awards time.
All hail Wonder Woman!! After decades of development hell, the grand dame of DC Comics finally gets her own standalone movie…and what a movie it is! Easily taking her rightful place alongside (and surpassing, some would argue) the big screen treatments of her Justice League comrades, “Wonder Woman” is a knockout of an action movie, an origin story, and plain, old big budget popcorn entertainment.
Here is a documentary that should be required viewing in high schools, in gender studies classes, and in history classes from now on. “The Death and Life of Marsha P. Johnson” is an important and indispensable piece of work about one of the foremost founders of the modern LGBT movement.
Natalie Portman disappears into Camelot with her astonishing portrayal of Jacqueline Kennedy in “Jackie.” Portman, director Pablo Larraín and screenwriter Noah Oppenheim provide an unusual glimpse into what life must have been like for Jackie in the week following the assassination of her husband, President John Fitzgerald Kennedy, as she juggled two small grieving children, her own melancholy and the mourning of a nation.
An “A” for effort for Ewan McGregor in his directorial debut. Boasting an impressive cast including McGregor, Jennifer Connelly, Dakota Fanning, David Straithairn and Peter Riegert, American Pastoral wants to be a heartbreaking story of a family torn apart by the social and political upheaval of the ‘60s. After a strong start, however, the film settles into clichéd melodrama that grows sillier the longer it goes on.
Paul Verhoeven’s first feature in 10 years is a complex work. The director of “Basic Instinct” and “Showgirls” is in fine form stylistically, yet provides much more depth of meaning into this piece than we’ve seen in his previous films as he examines the aftermath of a brutal assault. “Elle” is definitely not for everyone (like most of Verhoeven’s films) and will likely not sit well with those moviegoers who lean more towards the politically correct. However, for those of us who have admired the director’s work in the past and understand his general approach to cinema, there is much to recommend here.
Hero worship doesn’t get much more blatant, or for that matter, more entertaining than “Sully,” Clint Eastwood’s dramatization of the Miracle on the Hudson from a few years back. Tom Hanks easily inhabits Chesley “Sully” Sullenberger’s wings in an effectively understated (and remarkably physically realized) performance that ranks among one of the actor’s best.