December 4, 2016

The 4th Man

It’s only fitting that a movie review site called The 4th Reel review a movie called “The 4th Man,” so here goes! A virtual blueprint for his later, more mainstream potboiler “Basic Instinct,” “The 4th Man” exhibits all of the elements of director Paul Verhoeven’s mode of outrageous storytelling that has made him one of the most audacious film directors working today.
October 17, 2016

Elle

Paul Verhoeven’s first feature in 10 years is a complex work. The director of “Basic Instinct” and “Showgirls” is in fine form stylistically, yet provides much more depth of meaning into this piece than we’ve seen in his previous films as he examines the aftermath of a brutal assault. “Elle” is definitely not for everyone (like most of Verhoeven’s films) and will likely not sit well with those moviegoers who lean more towards the politically correct. However, for those of us who have admired the director’s work in the past and understand his general approach to cinema, there is much to recommend here.
April 30, 2016

King Cobra

A movie as salacious and lurid as the story it’s telling, “King Cobra” has its flaws, but is generally an effective, lean, and very mean piece of “ripped-from-the-headlines” cinema. Boasting a cast including James Franco, Molly Ringwald, Alicia Silverstone, Keegan Allen, a hasn’t-been-this-good-in-years Christian Slater, and former teenybopper Garrett Clayton, ejecting himself from tweendom straight into the tighty-whities of grown-up films, “King Cobra” offers a stylish though straightforward, yet not uncompelling, dramatization of this tawdry tale of murder and sex.
September 17, 2015

Black Mass

Johnny Depp is a shoo-in for an Oscar nomination in what is arguably the best performance of his career as James “Whitey” Bulger, a small-time Boston hood who grew to become one of the FBI’s most wanted. Scott Cooper’s riveting “Black Mass,” based on the book of the same name by Boston Globe journalists Dick Lehr and Gerard O’Neill, is a brutal and uncompromising piece, right in line with the life of its subject.