Aaron Sorkin, Jessica Chastain and Idris Elba make a glorious threesome in “Molly’s Game,” a busy, but entertaining true story based upon the “real life is stranger than fiction” saga of Molly Bloom.
Movies don’t necessarily have to be big-budget extravaganzas in order to transport an audience to a different time and place. Sometimes, all it takes is a good story, good acting, well-written dialogue and universal themes to engage our imaginations. Greta Gerwig’s “Lady Bird” is an excellent example of the kind of small, simple movie that draws the viewer in on the strength of its story and the attention to its craft.
A profoundly religious teenager discovers the supernatural powers that allow her to control things with her mind. Sound familiar? No, we’re not talking about Carrie, we’re talking about her Norwegian cousin, Thelma.
Angelina Jolie directs the adaptation of Loung Ung’s memoir “First They Killed My Father: A Daughter of Cambodia Remembers” and the results are a film that is experienced rather than enjoyed.
I can’t think of a contemporary director who brings the “WTF?!?!” better than Darren Aronofsky, and he proves as much with his latest: the maternal insanity that is mother!
Craig Gillespie’s I, Tonya takes a ripped-from-the-headlines true story and infuses it with unexpected empathy. Invaluable assistance is provided from star Margot Robbie, whose performance here is even more star making than her showy breakout turn in Wolf of Wall Street. Her work, as well as that of co-stars Sebastian Stan and Allison Janney (not to mention director Gillespie and cinematographer Nicolas Karakatsanis) should garner plenty of attention come awards time.
This low-key quickie hearkens back to a sort of golden age for low-budget chillers. While not as gruesome as some of its contemporaries (Texas Chainsaw Massacre, The Hills Have Eyes), this film makes tremendous use of its spooky old house and outdoor locations. Despite a horrendous title, Let’s Scare Jessica To Death is an effective little creeper: high on atmosphere and long on style.
All hail Wonder Woman!! After decades of development hell, the grand dame of DC Comics finally gets her own standalone movie…and what a movie it is! Easily taking her rightful place alongside (and surpassing, some would argue) the big screen treatments of her Justice League comrades, “Wonder Woman” is a knockout of an action movie, an origin story, and plain, old big budget popcorn entertainment.
Here is a documentary that should be required viewing in high schools, in gender studies classes, and in history classes from now on. “The Death and Life of Marsha P. Johnson” is an important and indispensable piece of work about one of the foremost founders of the modern LGBT movement.
Natalie Portman disappears into Camelot with her astonishing portrayal of Jacqueline Kennedy in “Jackie.” Portman, director Pablo Larraín and screenwriter Noah Oppenheim provide an unusual glimpse into what life must have been like for Jackie in the week following the assassination of her husband, President John Fitzgerald Kennedy, as she juggled two small grieving children, her own melancholy and the mourning of a nation.
Paul Verhoeven’s first feature in 10 years is a complex work. The director of “Basic Instinct” and “Showgirls” is in fine form stylistically, yet provides much more depth of meaning into this piece than we’ve seen in his previous films as he examines the aftermath of a brutal assault. “Elle” is definitely not for everyone (like most of Verhoeven’s films) and will likely not sit well with those moviegoers who lean more towards the politically correct. However, for those of us who have admired the director’s work in the past and understand his general approach to cinema, there is much to recommend here.